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  • December 2024 Reviews, The Gathering Of The Elephants, The Artist Insight
  • December 2024 Reviews, The Gathering Of The Elephants, The Art Muse Express
  • December 2024 Reviews, Art On World
  • Camille Ross: A Visionary Photographer and Civil Liberties Activist
  • Muse Touch Visual Arts Magazine, Feature. Text and Video By Maia Sylba
  • September Reviews Art On World Issue 2024
  • Camille Ross: A Visionary Photographer and Activist. The Art World Post, 2024
  • The Women, an Essay by Camille Ross © 2024
  • August Review, The Women, 2024
  • Camille Ross: A Journey Through Constrasts and Connections
  • Camille Ross: Capturing The Soul of Tradition via The Lens
  • Art On World March, 2024
  • Art On World April Issue 2024
  • Shop: Inventory
  • Visit My New Website www.camillerossnativelightphotography.com
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NATIVE LIGHT PHOTOGRAPHY

PO Box 26
Mimbres New Mexico
530-615-1826
Camille Ross Photography

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NATIVE LIGHT PHOTOGRAPHY

  • Gallery
  • Camille's Bio
  • Collection Images
  • Recent Exhibitions
  • Recent Publications
  • Home
  • The Women: Camille Ross Reframes Power and Representation
  • Creative Minds 2024, Camille Ross
  • December 2024 Reviews, The Gathering Of The Elephants, The Artist Insight
  • December 2024 Reviews, The Gathering Of The Elephants, The Art Muse Express
  • December 2024 Reviews, Art On World
  • Camille Ross: A Visionary Photographer and Civil Liberties Activist
  • Muse Touch Visual Arts Magazine, Feature. Text and Video By Maia Sylba
  • September Reviews Art On World Issue 2024
  • Camille Ross: A Visionary Photographer and Activist. The Art World Post, 2024
  • The Women, an Essay by Camille Ross © 2024
  • August Review, The Women, 2024
  • Camille Ross: A Journey Through Constrasts and Connections
  • Camille Ross: Capturing The Soul of Tradition via The Lens
  • Art On World March, 2024
  • Art On World April Issue 2024
  • Shop: Inventory
  • Visit My New Website www.camillerossnativelightphotography.com

The Restless Natives. Printed on Canvas, Giclee, Glass or Paper

These life like mannequins were found by a friend of mine where they are on display at The Mimbres Cultural Heritage Site in New Mexico, where I have been a museum volunteer for the past three years. The Mimbres Tribe is among the oldest of all Native American tribes in the World! Known for their excusite pottery, the tribe lived and created their unique art and pottery between 200-1150 AD. Being Native myself, I have been intrigued by these mannequins and their disturbing static status, not unlike the way many people construct inaccurate perceptions of Native people, in this work I hope to contrast Anglo fantasy's of Native Americans in relationship to the inventions of Reservations, and how many Native people actually live. The genesis of the work is to compare how reservations have oppressed Native American's, and how government leaves them in this static space, where they have experienced total abnegation of their tribal rituals, rights and traditions. The work is meant to be a form of formal portraiture, unsettled and even disturbing in its stasis.

The Restless Natives. Printed on Canvas, Giclee, Glass or Paper

These life like mannequins were found by a friend of mine where they are on display at The Mimbres Cultural Heritage Site in New Mexico, where I have been a museum volunteer for the past three years. The Mimbres Tribe is among the oldest of all Native American tribes in the World! Known for their excusite pottery, the tribe lived and created their unique art and pottery between 200-1150 AD. Being Native myself, I have been intrigued by these mannequins and their disturbing static status, not unlike the way many people construct inaccurate perceptions of Native people, in this work I hope to contrast Anglo fantasy's of Native Americans in relationship to the inventions of Reservations, and how many Native people actually live. The genesis of the work is to compare how reservations have oppressed Native American's, and how government leaves them in this static space, where they have experienced total abnegation of their tribal rituals, rights and traditions. The work is meant to be a form of formal portraiture, unsettled and even disturbing in its stasis.

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