Welcome to my website, Native Light Photography, which is vast in content and in scope! My work is only available here, and in my book Native Light Photography: From Earth To Spirit To AI available June 1, 2024 and to viewers who attend the museums and international contemporary art fairs where my work is touring. I normally post very little about myself or my work as I like to let the work speak for itself. Though with the surge in popularity of my work in the past decade especially in the past four years in particular, and with the large following I’ve established, where I’ve always posted my work in progress, as is, as a kind of visual workshop space where I can add and edit images accordingly depending where I’m at with each project’s work.

It’s been a long journey from when I took my first photography class at 18 up until now where I have 30,000 followers across all social media platforms. I’m followed by an international audience and my website often gets 200 visitors a week from all around the world which is an honor and a thrill for any artist especially because I started my website as a place to work on each project as they were organically and naturally evolving and I had no idea anyone was even visiting it then when I realized they were I used my site as a free virtual exhibition space so that everyone around the world could have access to visual art especially in countries where there's limited access to art and photography, so this was my gift for anyone interested in photography. I’m now followed by several renowned art collections including The Domain’s, Renault USA who I sold my first photograph to the President of Renault for his seminal art collection from my MFA degree show at Cranbrook Academy of Art Museum. I had no idea at the time just how important the Renault art collection was! Just last month after I had an exhibit at the Caravaggio County Museum of Art in Sicily, they acquired one of my pieces for their permanent contemporary art collection. I’m also in the collection of The New Mexico Museum of Art, The Harwood Museum of Art, The International Women’s Foundation, The National Museum of Women Artist’s among many more private and corporate collections. Please read my bio for more details or visit www.brush.bio/camilleq.

My work is in part a survey of the American Southwest, as I traveled through it and photographed the copper mining communities, silver and yellowcake mining communities throughout Arizona, New Mexico and West Texas. This project was supported in part by the Tucson Council on the Arts and takes the viewer on a visual journey of the Southwest and document’s some of the most beautiful desert landscapes, compelling documentary work of the Southwest’s inhabitant’s and serves as a creative documentary, fine art photography, conceptual photography, and part travelogue, part journey in a unique region of America also deeply impacted by global warming and severe heat and draught effecting it’s inhabitant’s and further adding to the complexities of survival in this region of America where Camille lived for most of her adult life, in fact she lived for a decade in the Gila Wilderness of New Mexico where she insists that just opening the door to her beautiful property was like stepping inside of a stunning outdoor living virtual studio as evidenced by her breathtaking images “The Secret Desert" where Camille actually made the images in response to the epic regional ongoing draught, where to emphasize the secret ecosystem of the complex waterways beneath the earth is the key to understanding this fragile, complex yet due to the severity of global warming, there is a looming threat to fragile life systems who call the underbelly of the earth home.

Previously published volumes of my work were published by Art On World in February of 2022. “Camille’s stunning desert scapes with seemingly large adjacent reflecting pools of water", (the water is actually magically added, so all of the the dramatic desert and sky scapes are in actuality bare), by adding the reflections of water one is reminded of life beneath the earth’s core, the secret life of the desert eco system, and the dramatic yet static beauty of the rugged landscapes that without the mirroring effects of the earth reflecting it’s projected imagined beauty back to the viewer that invokes nature’s way of narcissus from greek mythology which is why the work is so powerful . It's full of myriad life system's comprised of multiple underwater or under earth species that’s so rich and complex. There's over a thousand diverse species cohabitating underneath the desert floor emphasizing the environmental and socioeconomic challenges endemic to this region of the America’s. Global warming and rising temperatures are dramatically impacting people and place.

Since this was previously published content about my work prior to this publication it is copied from the original author, Carmela Brunetti, editor and publisher of Art On World from three published books of my work and is intended for our upcoming collaboration in Art On World’s new book of my work currently being edited for immediate publication of our new book being currently in production and to be released in full June 1st, 2024.

“Camille’s cellphone began to take on a life of it’s own particularly in relationships to her themes of the vast expansion of feminine representation, globalization and social media in the production of her technical use of it’s applications. All the work on this website created between 2007-2023 created on various cellphones from burner’s to iPhones. “Just when I thought no one was paying attention, I was actually living on the Big Island of Hawaii at the time and I got an invitation to exhibit in Chelsea in NYC, so I grabbed the opportunity and moved to New York where I had always wanted to live and stayed. The work took off from there but not in exclusively in New Mexico or New York, instead in Italy which is beautifully poetic because I was previously known in America for my early film based camera work “Gaze Studies”, where I reconstructed Italian Renaissance paintings while projecting and double exposing the negative with body parts, mainly my own so that the viewer could not distinguish between the painting and the body inserted. The results were spectacular, I engendered a beautiful series, that oddly enough has not been digitized yet so my Italian audience’s have yet to see this work though they will very soon as Art On World is now publishing a book of all of my work in it’s entirety. The work earned me the New Mexico Council on Photography Award in 2001, which was fitting because at the time I was the first department chair of the University of New Mexico Taos campus first certified Photography Department! The work landed me a solo exhibition at The New Mexico Museum of Art in Santa Fe with then famed photography curator and notable author of multiple critically acclaimed books curator Steven Yates, who is still a friend today.

Here is what Carmela Brunetti of Art On World wrote about my work. Published by Art On World, February 27, 2022

“Critics and the public are judges who give their opinions on the provocative works that artists present in the international art scene, and in this case as editor I can only state the following, “Camille Ross is a great photographer who with her third eye penetrates reality and presents it to the public by manipulating it with new media . Here games of nuance, of distortion of the image are the PUNCTUM’S of her new photography. Her photographic research is a new way of contextualizing the female figure in the era of globalization. “The projects the Selfie that we will present in the second volume are, as she explains the elaboration of the self”. As if to emphasize that in her works we perceive the alteration of the “self”, this makes us reflect on the emergence of new technological monsters. In the iconographies we encounter in the pages of the book we notice how little considered across all ethnic groups, women are and the chase for eternal youth, exaggerated beauty, lead to the death of the self. Thus a lack of self-regard is accentuated. A catalytic and provocative element naturally prevails in these works, which is respect for the human being. Her works refer us to sociology, to the history of man and his existence”.

All Images On This Website Were Taken On Various Cellphones Between 2007 & 2024. My work can be seen all across the internet in multiple publications and reviews. For the Serious Collector of Fine Art Photographic Prints, You Can Find Me On Saatchi and Many More Sites, Where There Are Many Other Fantastic Photographers. All Images of Children Are Not For Sale And May Not Be Used For Any Purpose. Please Feel Free to Call Me for Details at 732-640-6313 Or Email camillerossphotography@gmail.com